Men are freaking out about Taylor Swift’s latest honor. What are they scared of? | Opinion

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Taylor Swift’s selection as TIME’s Person of the Year was bound to elicit some criticism. After all, this is the first time a person has been awarded the title for their success as an entertainer.However, in some corners of the internet, the backlash has reached absurd proportions.It’s shameful and sad that a childless, hyper-promiscuous woman (Taylor Swift), aging and alone with a cat, has become the feminist age’s heroine.””If you don’t think that Taylor Swift has a predefined role in ushering in the New World Order, you need to start paying attention.”

“Taylor Swift promotes the girlboss lifestyle of Double Income No Kids.” She is an ideal vehicle for Democratic interests.”There appear to be real people — with millions of followers! — who believe Taylor Swift is a Democrat-led psychological operation to help Joe Biden win in 2024 and take over the world. Take note of how many of the criticisms are based on the fact that she is in her thirties and childless. Is it 1950?Of course, Swift is far from perfect, and her celebrity does not compensate for her flaws. She has faced criticism for her business practices, the limitations of her political advocacy, and her recent association with Matty Healy, a man known for making racist and sexist remarks.

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But that isn’t the real reason for the uproar. Rather, there is a sizable group of people who make a concerted effort to undervalue a successful woman’s accomplishments — and what those accomplishments have contributed to society as a whole.Swift certainly fits the bill if TIME’s Person of the Year is meant to recognize a person of extraordinary influence — good or bad. Swift’s tour de force is difficult to dismiss, whether you like her or dislike her. She’s paved the way in the music industry, amassed a fortune, and her career-spanning tour has become a cultural phenomenon with the potential to fuel economies.

Swift’s ability to make young women and girls feel seen is what makes her so successful — and beloved. They recognize themselves in her music. Despite the fact that her career has made her ridiculously wealthy, she is careful to portray herself as the girl next door, someone who reveals their vulnerability through their art. Her lyrics are evocative of the most universal emotions — love, heartbreak, melancholy, and anger. And in a world where women are frequently made to feel as if their feelings aren’t valid, that means a lot.However, as Swift’s star rises, so do the efforts to put it out. That is not unusual, but what is unusual is how much of the backlash appears to be focused on the sociopolitical force she has become. Men were enraged when Swift began dating Kansas City Chiefs star Travis Kelce and appeared on their television screens. The NFL, probably sensing that Swift was a bigger phenomenon than Sunday football in America, threw its support behind her.

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posting tributes on social media and showing her on screen during broadcasts. The result has been an increase in ratings, particularly among female viewers. However, it has enraged some men and right-wing pundits, who have slammed Swift as “ugly,” “dumb,” and “homely.” They claimed that her popularity is a “sign of societal decline.”They’re revealing themselves. Sure, some people underestimate Swift’s influence, but in this case, it’s more about fear than ignorance. Swift’s threat comes not from her own power, but from the power she bestows on the many women and girls who adore her. When Taylor Swift and her legions of female fans sing about high school drama and heartbreak, it’s easy to dismiss them. It’s more difficult when 200,000 people scream lyrics like “F— the patriarchy” loud enough to register an earthquake in a football stadium. Or when a single Swift Instagram post helps 35,000 new voters register.

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That can be frightening for those who are accustomed to wielding power in society, such as men. Swift has attained unprecedented levels of global stardom by appealing solely to female audiences. She has inserted herself — and women in general — into spaces that have traditionally been dominated by men. The world frequently wants women to feel insignificant. Powerless. Instead of living for ourselves, we are suffocated by the expectation to be everything to everyone — a wife, a mother, a daughter, a therapist, a friend. Swift, whether on purpose or not, has helped women realize that it doesn’t have to be that way, that their feelings shouldn’t be dismissed so easily. That is what makes her person of the year, but it is also what drives people to try to downplay her.


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